Sharing Our Stories Through Mosaics: Kosasa Community Leadership Donor Wall

Kosasa Community Leadership Donor Wall

Moʻolelo

This fall, Punahou revealed a captivating collection of mosaic art that now adorns the Leadership Donor Wall, nestled within the Oculus spiral stairwell at the heart of the Sidney and Minnie Kosasa Community for Grades 2 – 5. Inspired by the imaginative drawings of our young artists, these mosaics tell the narrative of Punahou and Hawai‘i. The project was spearheaded by Punahou’s kumu Ike Hawai‘i and ceramic master Leah Kilpatrick ’86 Rigg, who recognized the intrinsic beauty within the children’s creations and translated their vision into breathtaking works of art. There are 10 stand-alone mosaics and a tryptic in the center – each piece a testament of creativity and love for the School that will be enjoyed for generations to come.

Kosasa Donor Wall Illustration
Elevation view of mosaics

— Mosaics —

1 | 2 | 3 | 4 | 5 | Center | 6 | 7 | 8 | 9 | 10


Akaaka can still be seen in the mountains in the back of Mānoa Valley as the largest mountain spur and Nālehuaakaaka nearby. Hōkūpa‘a, the North Star (Polaris), can be seen high above the Akaaka mountains in the northern sky. ‘I‘iwi, with their red plumage, play and feed upon the scarlet ‘ōhi‘a lehua blossoms in the upland Mānoa forests.

Mosaic #1
Mosaic #2

Wherever she goes, a rainbow is in her presence. She is known to be the “rainbow goddess of Mānoa” and the girls of Mānoa are said to inherit her beauty. Groves of hau trees abounded in Mānoa with its hibiscus-like blossoms. Among the forest trees is the abode of the pueo, the Hawaiian owl. Kahalaopuna has as her guardian, an ‘aumakua, a faithful pueo that protects her. As the story is told, she is saved from the treachery of Kauhi, an ill-tempered suitor, by this ‘aumakua.

He carries a ko‘i, an adze, that will be used to fell the selected tree. An ‘elepaio bird will lead the kahuna kālai wa‘a to a good tree, for a tree with bugs is not a good choice. Hāpu‘u tree ferns, situated in the direction of the tree’s fall, will cushion its long and heavy descent to the ground. Permission from the gods of the forest must be granted before any plant can be removed. To appease the gods, a pua‘a hiwa (unblemished black pig), niu hiwa (black-shelled coconuts), and ‘awa (kava) will be prepared especially for them and offered with appropriate prayers.

Mosaic #3
Mosaic #4

In dreams, Kāne tells Mūkākā and his wife, Kealoha, that there is a spring under the pūhala (pandanus tree) by their home below Kaha‘akea (commonly called “Rocky Hill”). The same place where Kauawa‘ahila and his sister, Kauaki‘owao had made their home long, long before. The mo‘o (dragon god) of the healing waters of Kānewai are united here at Kapunahou, “the new spring,” that was once hidden under a pūhala. The kōlea (golden plover) will find its way back each year to find refreshing water at Kapunahou.

Ordered to be built by Ka‘ahumanu, this wall afforded protection of precious farmlands from feral horses and cattle that roamed freely around Honolulu. Crowning the wall is the pua pānini o Punahou, the night blooming cereus. During the summer season they open their white, chalice-like blossoms into the darkness of night and have become a spectacle visited by kama‘āina and visitors alike. The constellation Nāhiku (Big Dipper) stands watch in its rotation towards Hōkūpa‘a as the ‘ōpe‘ape‘a (native bat) flits among the nocturnal blossoms to pollinate them.

Mosaic #5
Center Mosaic

It is a proverbial saying of old that all of creation emerged from within the realm of this darkness: No ka pō mai nā mea a pau. The light of Wākea had penetrated it heralding the birth of life in its many forms. Papahānaumoku, “Mother Earth giving birth to the islands,” is a viable, visible and vital testament to the miracle of life.

Mosaic #6

Meandering in the lo‘i kalo were found the ‘ae‘o, the Hawaiian stilt. ‘Ae‘o loved to forage the lo‘i kalo to find its food such as small fish, worms, shrimps, dragonflies and damselflies. Today, with the establishment of lo‘i kalo on the lands of Kapunahou, we have seen the return of the a‘eo and the many small creatures they love to feed on.

This stream finds its way into Waikīkī. Waikīkī (“Spurting water”) was a hot spot for thriving lo‘i kalo. In its waters thrived ‘ōpae (shrimps), ‘o‘opu (goby fish), wī (freshwater shellfish), and the fingerlings of āholehole, ‘oama, moi, manini, pāpio, and ‘ama‘ama. ‘Auku‘u (night heron) loved the lo‘i kalo wetlands and found themselves at home here.

Mosaic #7
Mosaic #8

Naowili, drill bits, cleanly bore through the impressive koa wood. Its parts would be expertly lashed with ‘aha, coconut sennit cordage, and polished to a luster with pōhaku ‘ānai wa‘a (polishing stones). The protection of the canoe would be relegated to the gods with prayers and offerings of pua‘a hiwa, red kumu fish and choice ‘awa. The meandering of purplish-flowered pōhuehue (beach morning glory) and its cousin, the white-flowered hunakai, shared the shoreline with the canoe.

One of Punahou’s resident ducks was found by one of our students in the adjoining sea along our storied shoreline. Our new addition answers to the name of “Su Yong,” and now happily resides with other feathered friends here at the kīpuka (urban-oasis) that is Kapunahou.

Mosaic #9
Mosaic #10

Wa‘a kaulua (double-hulled canoes) have traversed this ocean’s watery roadways for hundreds of years. A canoe that knows navigation using Newe, the Southern Cross, and Hōkūpa‘a, can always find its way to these oceanic islands and back home, to Hawai‘i. Cloud formations, wind and ocean currents are faithful guides also. The Manuokū make long flights in search of the bounties of the sea. Sighting this bird is a welcome sign to a deep-sea voyager that an island, and landfall, are within the reach of both time and space.

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